With a focus on socialism in the Nowa Huta projections, the visual elements could follow in the aesthetic of constructivism. This stems from the idea that Nowa Huta was built upon being an industrial hub of the socialist regime in Poland, in the USSR era; this relates to replacing art's traditional concern with composition with a focus on construction. Objects were created not in order to express beauty, or the artist's outlook, or to represent the world, but to carry out a fundamental analysis of the materials and forms of art. I think the idea of 'not presenting the artist's outlook' could best be presented through the use of an interactive projection who's visuals are dictated by the audience.

• what is the 'purpose' of this projection though (in relation to the carrying out a fundamental analysis of the materials and forms of art)? - could it be that the analysis of the projections created from the audience interaction carries a purpose of 'how people experiment with space when it can give them something back'/instead of just being a blank space? 
• Could the typeface be made from the form and composition or the animations/projections, as to further communicate its 'fundamental purpose'? 

Graham Pope

Liubov Popova